Never fear, white people are here.

I could relate this to children's books--how many characters of color exist in children's literature just to help the white character have some kind of revelation?--but I think everyone should read what Teju Cole says about the White Savior Industrial Complex, whether it has anything to do with kidlit or not.

Review: Cinder by Marissa Meyer

A short review this time, ladies and gentlemen: Hurray for Asian heartthrobs! The End.

Just kidding. But seriously, I'm always on the lookout for leading Asian men in YA lit, because my boyfriend's Asian, and one thing he often points out is how rare it is to see an Asian man paired with a black or white woman in the media. You'll see Asian women with black or white men, but not the other way around. He believes this is related to the long history of stereotyping Asian men as asexual. So that's another fun game to play while watching commercials: tallying the varieties of interracial couples!

While I'm on the subject, shout-out to Jenny Han's North of Beautiful, which features a wonderfully complex Asian love interest.

Now back to Cinder. This book is based on a concept I wish I'd thought of: setting a fairytale in the future. Donna Jo Napoli, Gail Carson Levine, and Shannon Hale have mined the rich vein of fairytale plots for a number of popular and acclaimed novels. But usually, they use historical settings. Cinder is straight-up Sci-Fi. I can see this launching a whole subgenre, the way Pride and Prejudice and Zombies launched a mash-up subgenre including Abraham Lincoln, Vampire Hunter, and Android Karenina. Perhaps this book is even related to that adult lit phenomenon.

In this case, our Cinderella character is a cyborg mechanic working in future East Asia, where a strange plague is mowing down citizens. Cinder tries to hide her cyborg status, because cyborgs are considered second class citizens who can be drafted or sold by their legal guardians to undergo plague research--in other words, to be infected with a disease that has no cure and kills within days. Thus, Cinder tries to keep on the good side of her guardian, harvesting parts from the dump to keep her repair service running and handing over all the proceeds.

Shortly after we meet Linh Cinder, her market stall is visited by a surprising customer: Prince Kai. He wants her to repair an outdated robot. Mysterious, eh? Some chapters of the novel are told from the Prince's perspective, and he has problems of his own: his father has just been infected with the plague and he's being pressured to marry the evil ruler of a colony on the moon. Everyone on Earth fears the "Lunars," because they have evolved differently from Earth-bound humans, developing the ability to manipulate the thoughts and emotions of people around them.

Now, this is one aspect of the book that confused me a little. The story is set in future East Asia, and most characters have Asian names. The prince has "copper" eyes and straight dark hair, so I assume he has some Asian physical characteristics, and I assume the other characters with Asian names do, too. The Lunars, on the other hand, are described as almost preternaturally pale (milky white skin, etc.). So wouldn't the Lunars stand out in an Asian community? However, we learn part way through the book that there are a number of Lunars hiding in plain sight. So I guess it's better to assume that future East Asia is a very diverse community.

This is believable, since the story is set 200 years in the future--plenty of time for migration and intermarriage. And I bet the author didn't want readers to put her futuristic characters in census survey categories. But I wish she's been more explicit about the appearance of the characters since the plot hinged on Lunars being able to blend in. Since she wasn't explicit, you can actually read the novel as though everyone in future East Asia is white.

Although I had questions about the future society in which the story is set, I did like the setting: a gritty, high-tech city overlooked by a gleaming castle and research facility. I also found the main characters endearing, although I didn't find their romance entirely believable. But what really kept me reading were the more villainous characters--the doctor who studies Cinder and the Lunar Queen. The doctor was interesting because he was hard to figure out--he did some despicable things but didn't seem cruel. You could sense that he had reasons for conducting his experiments on cyborgs, and I found him interesting precisely because I didn't trust him. And the queen was wonderful because she was just so powerful. With a villain that evil and in control, you really wonder how the characters will defeat her.

Of course, you don't find out in this book, because it's the first in a series, which I didn't realize until I got pretty close to the end. In fact, despite what I liked about the book, I wasn't sure I wanted to finish it. I guessed some of the twists way before the author confirmed them, and I wasn't sure there were any surprises left. But as I got closer to the end, I found myself sucked into the action. One thing I can definitely praise this book for is the rollicking good story. There were times when I wondered why Cinder wasn't working a little harder on repairing the prince's android, but I can't complain about the pace at the end. It was action-packed!

So after going back and forth about this first installment, I can promise I'll be reading part two. I think this book had brilliant ideas plus a few problems in execution. It still stands out as a romantic adventure story with plenty of action and a unique concept. Oh, and a sweet Asian hero.

*Edited to add: And there's a prequel called Glitches on the Tor site (via Read Now Sleep Later)! You can also buy a Kindle whatever-you-call-it-one-shot thing. But I remain conflicted about Kindle things. My favorite line from the prequel: "Condensation sprang up on Cinder’s steel hand as she went from the chilled air to the house’s warm entryway." And check out the artwork! The illustrator shows sketches and explains the concept here. Something about the Lunar Chronicles seems to inspire the kind of art I want on my wall.

Review: 8th Grade Superzero by Olugbemisola Rhuday Perkovich

Ah, the 8th grade book. Where to shelve it? Kids? Young adult? I think once kids are in 8th grade, they want to read about high school, so a book like this really has more appeal to 6th graders. But this is a looooooooong one.

The force driving the plot is Reggie McKnight's campaign for president at a progressive school in New York city. To win, he has to overcome the mental image everyone has of him throwing up on stage on the first day of school.

However, Reggie doesn't declare his campaign until page 178 of 324.

That's because the author also wanted to cover Reggie's "big brother" relationship with a troubled kindergarten kid, his community service project at a homeless shelter, his worries about his dad's unemployment, the rift between him and his sometimes-clueless white friend, the spiritual questions his youth pastor raises, and his sister's attempted transformation from basketball queen to cheerleader.

I was genuinely interested in how these issues would work out, but I tended to lose one thread as another one was woven in. And a lot of the issues never got worked out. But I think that was intentional. The author is showing us real life: a messy tapestry full of loose ends. The feeling of completeness at the end of the novel comes from Reggie finding peace with himself--not from him fixing anything.

Can white people be multicultural, too?

Talking about the Fuse #8 poll* this week got me clicking links and thinking about a project I started and abandoned--as I do many things. I was trying to compile a list of books in which white characters thought or talked or learned about their white identity. Although "multicultural" is often shorthand for "nonwhite," I think a truly multicultural collection also offers books which help white kids figure out how their skin color has affected their lives. Especially since studies show that white parents are the least likely to talk to their kids about race.

I think I got started on this project when I heard some kids in the library talking about so and so being "B" or "W," meaning white or black. The kids were shortening the words the way you do swear words, because they had got the message that they weren't supposed to talk about race. Don't get me wrong: most of the kids in my library don't mind labeling people, and the labels are usually black, white, Spanish or Chinese. Never mind that most of the Asians in this neighborhood are Cambodian or Laotian. But there are some white kids who treat race like a taboo subject. And I think they could use some books that talk about the entitlement and the guilt that can go along with being white.